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'Gute Manieren'

 

A German Etiquette Book, 1956

Helmut Jahn 

 

 

 

 

Dancing is obligatory

One must know how to dance !, Not all the newest fad dances, but the most common dances in their basic form. Dancing- School precision and tournament quality are not required. Excepted from the duty of dancing are the old, the frail, the sick, the pregnant, the mourning and the hopelessly klotzy.

 

Requesting a dance: The gentleman approaches the table of the lady, makes a slight bow- a simple nod of the head won't do- and asks 'may I have this dance' ('darf ich bitten?). This question is redundant if the gentleman sits alone with the lady at a table and the dance has been previously agreed upon. Standing up and bowing are also required in this case. No cigarette in hand; no hand in jacket pocket, jacket buttoned. Very often the following situation occurs: a gentleman bows in front of a table on which several ladies are seated. Instead of the lady for whom the bow was intended another lady gets up. The gentleman will have to dance with this lady. He is not allowed to say I mean your girl friendl'

 

While seated, the lady accepts the invitation with a friendly bow of the head. Disinterest, boredom and pride expressed in face and attitude are inappropriate and insulting. The lady walks in front of her partner or on his right arm to the dance floor. She steps on the dance floor first. Once there, the gentleman bows lightly once more.

 

Lady's Choice is a custom which is falling out of fashion. Where it is still customary, this rule applies: the lady may only invite a man to dance whom she knows, who has been introduced to her or who had invited her to dance previously.

 

A lady never invites an unknown man. Exceptions: Masked Balls and Carnival (Mardi Gras)

 

Introductions: In private circles, the introduction of all takes place before the dancing begins.

 

In Dance- Bars, Discos and casual public dance events, the gentleman does not introduce himself if he dances only once or twice with the same lady. However, at the third time, he should state his name. If he takes a seat at her table he has to introduce himself to her and the others in her party. If the lady is in the company of a gentleman, he has to ask this man if he may dance with the lady. He bows lightly to this man and says 'With your permission' and only then does he invite the lady to dance.

 

At larger private dances and at Balls the man is allowed only to dance with a lady whom he knows or to whom he had been introduced. If he does not know her, he has to try to find a gentleman who is known to both of them and ask him if he would introduce him to the lady in question. He will say 'please, introduce me to this lady'. He should not point with his finger to the lady, but to try describing tactfully where the lady is located. First he should inquire about the name of the lady. If the acquaintance is willing to undertake the introduction, both men approach the table.

 

After the introduction, the gentleman invites the lady to dance.

 

If the lady is in the company of a senior person such as parents, older relatives, or a gentleman, the man doing the introductions has to first ask them ' permit me to introduce to you Mr. Such-and-Such'. The man being introduced now asks the senior person ' do you permit me to dance with Miss So-and-So?Only then does he turn to Miss So-and-So and invites her to dance.

 

Declining a Dance:

In private circles, where all know each other or where every one has been introduced, a lady may only refuse a dance if she wishes to rest. She should then offer him a dance later in the program. Once she has refused the dance she may not dance this dance with any other man. She may refuse to dance with an unknown man without giving a reason.

 

In any of the above named sites where dancing takes place, a lady may refuse a man a dance without giving a reason, if she does not know him.

 

A lady who allows herself to be taken to a Dance Bar is advised to not dance with strange men, unless she asks her partner for permission to do so first.

 

A gentleman who takes a lady to a Dance- Bar or similar environment, dances only with this lady; he does not dance with unknown women.

 

At a Ball, if a man has correctly been introduced to a lady, he may invite her to dance. The lady may refuse the dance, but must give an explanation:' / am sorry, but I already have refused this dance to another gentleman'. She is not obliged to offer this man another dance if she does not wish to dance with him. A gentleman who is rejected in this manner, makes no further attempt to dance with this lady. With people who are obviously drunk, no one needs to dance.

 

Duty Dances:

At a private party or at a Ball the gentleman has the duty to dance with all the ladies who are known to him or to whom he has been introduced. If he is unable to dance with ladies whom he knows, he must apologize. He may dance with strange ladies only after he has absolved all his duty dances.

 

Exceptions: at very large Balls he needs only to dance with ladies whom he knows very well and with whose families he associates.

After dinner, the gentleman first invites his 'table lady1* to dance. At House Balls, the dance is opened with the oldest or highest ranking man and the lady of the house as his partner. The master of the house dances with this man's wife or the youngest girl there so that among the older ladies there will be no slighted feelings concerning rank. At private dances, should a woman become a wallflower, a free gentleman must invite her to dance. A non-dancer has the duty to entertain the wallflower while the others are dancing.

 

During the Dance

On must show ones partner a friendly face, even if it is difficult.

 

In society one does not dance with athletic seriousness, acrobatic tricks or unbridled erotic , but with happy dignity.

One dances as well and as unobtrusively as possible. One does not claim the entire dancing space for ones self.

 

One does not breathe into the partners face. People with halitosis (especially smokers) should supply themselves with chlorophyll or peppermint tablets if they wish to dance. One does not crash into other couples. If it does happen, one apologizes to the other couples.

 

The word is ' sorry'. Nothing more.

 

If one steps on a lady's foot, one apologizes. The lady doesn't turn this into a State Affaire, even if it hurts.

 

One does not criticize the dancing skill of ones partner, even if he/she dances badly. Neither does one laugh about the dancing of other couples , especially not in private circles.

 

The gentleman may pay the lady a compliment on her fine dancing but it must be believable, otherwise it will appear as irony. The lady is permitted to repay the gentleman with like compliment.

 

Only in the most dire occasions may a lady ask the gentleman to ailow her to stop dancing.

 

A lady is allowed to abandon her partner in the middle of the dance only if he permits himself intimacies and insinuations.

 

One is permitted to converse with ones partner during the dance; however, the main attention belongs to the dance.

 

Older people maintain their dignity on the dance floor and do not try to compete with the young in showing off a large variety of figures, tricks and agility. They do not dance grotesque dances.

 

Ladies do not dance with ladies; men do not dance with men.

 

Cutting in is rude! Exception: among people who know each other very well and at private parties.

 

After the dance

The gentleman escorts the lady back to her seat. On a very large parquet, he offer her his arm. This is not required in a more intimate setting. He thanks her and takes his leave with a bow. The lady responds to his thanks and bow by inclining her head.

 

Public Dance-bars and Ballrooms

Ladies who frequent such places without a male escort have to be aware that they will be spoken to and invited to dance by men unknown to them. They are allowed to refuse the invitation without giving a reason. The man has no right to be irritated or insulted by such a refusal.

 

Taxi-dancers

Many dance-restaurants and dance halls employ taxi- dancers for their customers.

 

Those who wish to engage one tell the waiter and inquire of him what the cost is and how one pays. The waiter provides the information and relays the request.. In respectable restaurants it is not expected that one invites the taxi-dancer to ones table.

 

A lady does not frequent dubious dance-bars. A gentleman does not take a lady to such places.

 

******

 

* 'Table Lady' - In Germany, when giving a party, at weddings etc, it is customary for the host to invite a table partner for single guests ( Tischdame)

********

How things have changed! ... or have they?

 

On the subject of oral and corporal hygiene Tabourot** writes in 1589

 

'The dances are constructed in such a way that the couples can test whether they are healthy and can use their limbs. At the end, the men are permitted to kiss their ladies in order to unobtrusively smell each other and note if they have pleasant breath or if they stink...' 

 

When asked by his student what the young man should do if a lady refused a dance- which would be very humiliating to him- he was told that, if the lady doesn't intend to dance, she shouldn't be there; that the young man should apologize for having importuned her and go to ask some one else; that it is better to speak politely then to make a scene about the refusal. 

 

Luther, in one of his table talks in 1540 was concerned about good manners'...Dances are constructed and created that polite conduct is learned among friends and acquaintances and that young men and women may become acquainted with each other'. In one of his ecclesiastical writings he says:'.. ..Faith and Love cannot be stamped out nor sat out, as long as you are modest and restrained at it. Young children dance without sin, so do you too and dance as a child does, in this way dancing will not hurt you. If dancing were in itself sin, we would have to forbid It also to children..'

 

** Jehan Tabourot, a high ranking clergyman, wrote in 1589 a dance manual under the pen name Thoinot Arbeau. His 'Orchesography' is written as a dialog between teacher and student and describes the steps, dances, musical notes and etiquette of his times.

 

 

KPG

  

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